The Keys To Great Dialog

 

    So, you're character's conversations sound weird and stilted...  Dialog is one of the toughest techniques that we writers have to learn.  We aren't supposed to write words like "thundered" or "bellowed," while writing, but we must make it sound unique and interesting.  How are we supposed to do that when our literary hands are tied with "he said" and "she said?"  Well, that's where I'm going to try to help you out.

    The most important thing about written dialog is the flow.  When people are verbally communicating, there aren't usually long pauses or five syllable words thrown around.  Rule #1 is to keep it simple.  Use words that normal people use while talking.  A construction worker or a waiter would not use words like "preamble" or "hypothesize."  Even if they have the vocabulary, they would sound like they are talking down to people if they use it.  So, if your character isn't talking down to people and making an attempt to show off that vocabulary, keep the big words out, unless your she has a PhD in Literature.

    The next thing I'd like to emphasize is punctuation.  Punctuation is very important for the flow of the dialog.  A comma calls for a pause in the thought, and one that has been misplaced can change the entire flow of the conversation, and even the meaning of the sentence.  The punctuation is normally placed within the quotation marks like so:

    "See Spot run," Jane said.

    Notice that the comma is located within the quotation marks, and it marks a pause in thought.  It says that the character is done talking and the narrator is taking over.  If you are having a difficult time writing dialog, it wouldn't hurt to brush up on your punctuation.

    Our last topic on the subject will be on subjects.  The subject of sentence will be the person talking.  In the above sentence, Jane is the subject.  Naming subjects in our writing can become repetitive.  Having "Jane said" at the end of every sentence can get monotonous in a hurry.  I like to use descriptive words instead of names sometimes, to break up that monotony.  If Jane is the older of the two talking, I would say:

    "See Spot run," Jane said.

    "See  Red run," Sue said.

    "No, see Spot run," said the older girl.  

    The audience must already be aware that Jane is the older girl.  This technique can be used with any descriptive, such as, taller, shorter, wiser, impatient, or stronger. It is a good way to make your dialog varied, but still keep the reader aware of who is talking.  

    That's it for today.  Let me know if you have any questions, I would be happy to answer them.  Leave a comment, and sign up for the feed.  Also you can find me on Twitter at @murickansaga or Instagram @murickan_saga.  As always, have a great day, and happy writing!